Photographer Article
Landscapes in Contention
By Katie Winchell
Newport Beach/Costa Mesa Daily Pilot
As a rule, artists are passionate about their work. Acclaimed photographer
Robert Ketchum goes a step further: He's just as ardent about the mission
behind his messages as the images themselves.
For 25 years, Ketchum has produced photographs that fulfill two
functions: artistic interpretation of the natural world and studied
documentation of conflicting ideas on wildland use. A selection of his
images are currently on display at the Newport Beach Central Library
through May 31.
The exhibit draws the viewer in. The large Cibachrome prints, taken
with a Pentax 6-by-7 medium-format camera, show Ketchum's mastery of
composition and use of vibrant color.
"This show has had more attention and success than any other show at
the library," said Newport Beach Arts Commissioner William Valentine.
"We're really lucky to get him down here."
Two of the photographs are of Rancho San Carlos, one of the largest
land grant ranches left in California. The 20,000-acre property is the
site of a bitter contention between the land's owners who want to develop
it in a manner that preserves much of the beauty, and local residents who
oppose the development.
One of Ketchum's images is a broad landscape of rolling oak woodland,
the other a study of an ancient moss-covered oak tree.
"This is an encapsulation of a lot of the things going on right now,"
said Ketchum. "I've chosen to document this project for a decade because
it's a good example of what's happening with real estate and development
here at the end of the 20th century."
Another breathtaking image is of a marsh and tree area in the Tongass
National Forest, taken from Ketchum's book "The Tongass: Alaska's
Vanishing Rain Forest."
Ketchum explained how the book, given to every member of Congress,
helped sway opinions in the Capitol, resulting in George Bush signing the
historic Tongass Timber Reform bill into law, protecting a million acres
of old growth trees and creating five new wildernesses.
When Ketchum describes the stories behind his images, he combines the
knowledge base of an environmental professor with the passion of an artist
dedicated to his vision. It's easy to see why he is in such high demand by
environmental groups and art collectors alike.
Ketchum's photographs are in most of the major collections in the
United States. His work has been featured in more than 400 shows at
institutions ranging from the Los Angeles County Museum of Art to the
White House and Brazil's National Museum of Fine Arts.
His photographs have been published in magazines such as Life, Sports
Afield and Audubon. He has been an artist-in-residence at the Sundance
Institute and he has authored and photographed numerous books. He was
presented the United Nations Outstanding Environmental Achievement Award
by King Gustav of Sweden in 1991.
"We so often interject ourselves into nature [through development]
carelessly, without thought," Ketchum noted.
"When I'm outside, I feel nature's vibrancy. I think that if we shed a
little bit of our urban-ness and we spend a little more time in wild-ness,
we become more careful with wilderness, so we don't wipe it out. We're in
a race with time."